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Interior Paramours

by Dot Cotton

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1.
The Clockout 03:05
So right now I want to run into the dark night And clock out take another pass at this life, alright? So tell me, tell me, tell me, tell me that I’m so wrong, this is so wrong ‘Cause right now the only sound I hear is goodnight to the good life Woo! So come on tune in turn on and drop out And turn down the others ‘cause there’s just no need, you’ll never be free And tell me, tell me, tell me, tell me it’s been so long with no love songs ‘Cause right now I want to jump into your arms and dream on Woo! I’ll travel back to ya So come on So come on So come on And clock out Right now So come on So come on So come on
2.
I never thought she’d go this far Try to relax until tomorrow Then she cocked back her loaded heart Then I went black, a head full of sorrow Wondering lonely, tripping hard Criminal minds revolve around me Too many Ms. Mistaken ways So I went back to beg, steal and borrow She would never listen to my heart I would never give her something to hang on to Out in the rain, looking in Scratching our names into her doorway This was a big mistake, I’d say When I called back, she answered to Sergei Another day gone to bed and dies The dream she had of life encircled Putting hands out to say goodbye Where is the end, my Oz, the rainbow She was always there to calm my heart I was never one to listen just because I felt alone She’s just inside I know She’s just inside I know She’s just inside I know She’s just inside I know
3.
Good times are coming, you’ll see Just look what’s under the Christmas tree You can’t afford to miss the boat It’s sink or swim so have you learned to float? You can’t afford to miss the boat The IOUs are waiting to slit your throat Dreams are never the same as you thought they’d be So you try to pretend you’re happy and free So once more with feeling, look at me My thinking person split personality Pretending to discover some new joy The children’s room is full of abandoned toys Dreams are never the same as you thought they’d be So you try to pretend you’re happy and free
4.
Emergencies I Contrived to find I know it’s all up inside my mind But here I am The redundant kind You bring the water to my eye-ay-ay-ay-ayes And that old school Of thought that hides Behind a curtain terrified Like kicking sand Your Atlas tried To bring the water to my eye-ay-ay-ay-ayes The scene of the crime What a place to talk it over Now I’m walking blind Back into a field of four-leaf clover Those promises That you provide Are nothing more, disqualified And one fell swoop Was all it took To bring the water to my eye-ay-ay-ay-ayes Once in a while It seems the good guys win some But after the trial You returned to things you said you would refrain from
5.
How can I listen To another lie When will you ever Hear the reason I Say it’s all I can do To put these tears aside Handshake to heartache The breadth of our demise I contend Will wonders never cease She revolves around The uncertainties Don’t pretend They did not see you there Lurking around Your contingencies
6.
Put a dollar on a land mine Put a collar on the next in line Tell your mother he’s the right one Tell your father have an open mind Stumble onto Annie’s doorway Turn up drunk with your shoes untied Is this how you told the story Another victim of the Firing line Firing line Firing line Little left to machinations Incriminations come and bore me Obvious is your persuasion Unoriginal macho energy I cannot help but wonder Will you ever leave me in the lurch Of course you will, it’s a given Another permit for the Firing line Firing line Firing line Is this really what you wanted To be a wonder, an enticement Empty as a metal jacket Once it sent its discharge, hell bent Forgive me Fotheringay Was that the name you took when you were sworn Or was it something I said That drove you onward to the Firing line Firing line Firing line
7.
Too late, how did we get here You’re Right, someone turn on the light You think it’s wonderful I think it’s comical (a bit) Weren’t we drunk and unlovely Weren’t we the ones that the wives despised Won’t you tell me about the way we ought to be Send in the clowns She said it’s better than nothing Defending something that’s not quite right A reclining So-and-So Spits out his warm Pernod These paths that shouldn’t cross Are bogged down in the permafrost Won’t you tell me about the way we ought to be Send in the clowns Ah ha ha Sleeping in my sidewalk curl Brushing off the bees busy on their way Not enough time to be disdainful Ah ha ha You’re slipping in another pearl I’ve heard it all before now you’re back again Feeling somewhat aggravated He worms in like terminal cancer Quite right to say that it’s all for naught She left him a little uneasy With a hint of malice aforethought She’s reeling in the years, yeah Smiling through the tears Ah ha ha Slipping in another pearl You’re half way ‘round and back again Three steps closer to Armageddon Ah ha ha Walking all around this world You’re half way ‘round and back again Two steps closer to Armageddon Ah ha ha Sinkin’ down the bathroom swirl Half way ‘round and back again One step closer to Armageddon Ah ha ha I never saw the flags unfurl Half way there and here I am We finally made it to Armageddon
8.
Real eyes Realize you’re on the take for Real lies I think you’re so unimagineable At first sight You’re alright but second glance is A bomb site I think you’re so unimagineable You can’t feel the same thing as I Wonder and receive your make-believe Sleep tight And goodnight to all of that In hindsight I think you’re so unimagineable Uptight Parasitic influenza Gravitating toward the Right I think you’re so unimagineable Unimagineable Imagineable Unimagineable Imagineable
9.
Take your time, there’s a man who loves you I’ll be fine, and go to sleep You decide, whether to abandon Your vacant prize, and dare to dream To go back in time, I always thought it would be Wonderful, but then you see It’s not mine, I’m just a man who wandered Terrified, lost in a dream

about

The second album release from Dot Cotton

credits

released July 2, 2018

Words+Music: Brian Knight
Vox+Instruments: Brian Knight

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all rights reserved

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Dot Cotton Los Angeles, California

Transistorized bedroom window music from the land of sprinklers and smog alerts.

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